While I may be banging on a bit too much about the metal Volbeat have never been entirely all about heaviness – it is an important part of the puzzle, and it is nice to see it get enough focus again, but it is only part of the bigger picture. Heck, “The Sacred Stones” seems to be a deliberate tribute to Black Sabbath’s “Heaven And Hell.” In addition to Metal though, they’ve also always had a bouncy punk tinge at times, and “The Passenger” covers that side of them as well. Tracks like “Becoming,” feel built for fans who like the band’s heavier material (think “Slaytan”), while “The Devil Rages On,” “Step Into The Light” and “Say No More” more than make up for the previous album’s lighter touch. There is much more speed, power, groove, crunch, umph, tiny bits of Thrash-esque moments here and there, even one cheeky Death Metal riff hidden in there once.
Servant Of The Mind by contrast seems to be very conscious that the previous album was a bit too far away from their metal side, and is a pretty hard and deliberate course-correct towards heaviness. That’s always been a part of their sound – but not the whole sound, and to me Rewind’ just focused on it too deeply, too often. For me, Rewind’ leaned much too heavily on the band’s radio rock side. I first got into the band after seeing them live on the cycle for Seal The Deal & Let’s Boogie, and fell in love instantly, then devouring their back catalogue and becoming obsessed, listening to them more in one year than it takes me a decade to listen to most other bands, but when it finally came time for me to get in on the ground floor with a new release 2019’s Rewind’ was a bit of a disappointment for me (especially at first, but to be fair it was a grower), as it initially felt like it was missing a lot of the charm, variety and quirkiness of their earlier work, and also was significantly less heavy or metallic than my favourite side of Volbeat’s many sided style. 2021’s Servant Of The Mind is Danish Rock/Metal band Volbeat’s eight studio album, it was produced by Jacob Hansen (with Michael & Rob from the band) and follows up 2019’s Rewind, Replay, Rebound album.
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